Solar Wear Tattoo: New Technology Through the use of Different Material Behaviours

Vanessa da Graça Mendes; Mario S. Ming Kong

doi:10.1051/matecconf/20179503013

All issues

Volume 95 (2017)

MATEC Web Conf., 95 (2017) 03013

References

Open Access

Issue		MATEC Web Conf. Volume 95, 2017 2016 the 3^rd International Conference on Mechatronics and Mechanical Engineering (ICMME 2016)


Article Number		03013
Number of page(s)		4
Section		Materials Science and Engineering
DOI		https://doi.org/10.1051/matecconf/20179503013
Published online		09 February 2017

N. Thomas: Body Art, Thames & Hudson world of art, London, p. 12, 34, 126, (2014).
The Unesco Courier: A window open to the world. A lost metropolis of 4,000 years ago discovered in Syria. 2, p. 19, (1977).
C. Fabius: Mehndi: The Art of Henna Body Painting Thames & Hudson world of art, London, (2014).
V. Mendes: Solar Wear Tattoo: Harmonia do Design de Moda, no Beachwear como Tatuagem - Fusão Cultural, Faculty of Architecture - University of Lisbon, 55, pp. 9–11, 26–27, 2015.
G. Lehnert: História da Moda do século XX Konemann, Germany, p. 28, (2001).
S. Benomar, L. Ismaili, L. Benzekri, B. Hassam: Tatouagem au henné noir: au-del´de l’eczéma de contact. Elsevier B.V., Critica Françêsa de Alergologia - Fato clinico, (2009).
L. Eiseman, E. P. Cutler: Pantone® on Fashion: A Century of Colour in Design, Chronicle Books LLC, San Frncisco, p. 109, (2014).
M. Sabino: Dicionario da Moda, Elsevier Editora Ltd, Rio de Janeiro, p. 574, (2007).
E. Heller: A psicologia das cores, Editorial Gustavo Gili, SL, Barcelona, (2009).
F. M. Silva: A Colour Space. Its quality management in architecture. The colour/space unity as an unity of visual communication, Ph. D. Thesis, UK, (1999).
M. S. M. Kong: Harmonia e Proporção. Um olhar sobre o desenho arquitetónico no Ocidente e no Oriente, Inside city, Lisboa, p. 117, (2012).
C. Morais: A Sustentabilidade no Design de Vestuário, Ph. D. Thesis, Lisboa, (2013).
Y. Wang: Recycling in textiles., Woodhead Publishing Limited & Cr Press LLC, England, (2006).
V. Mendes: Solar Wear Tattoo (to be published).

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[1] N. Thomas: Body Art, Thames & Hudson world of art, London, p. 12, 34, 126, (2014).

[2] The Unesco Courier: A window open to the world. A lost metropolis of 4,000 years ago discovered in Syria. 2, p. 19, (1977).

[3] C. Fabius: Mehndi: The Art of Henna Body Painting Thames & Hudson world of art, London, (2014).

[4] V. Mendes: Solar Wear Tattoo: Harmonia do Design de Moda, no Beachwear como Tatuagem - Fusão Cultural, Faculty of Architecture - University of Lisbon, 55, pp. 9–11, 26–27, 2015.

[5] G. Lehnert: História da Moda do século XX Konemann, Germany, p. 28, (2001).

[6] S. Benomar, L. Ismaili, L. Benzekri, B. Hassam: Tatouagem au henné noir: au-del´de l’eczéma de contact. Elsevier B.V., Critica Françêsa de Alergologia - Fato clinico, (2009).

[7] L. Eiseman, E. P. Cutler: Pantone® on Fashion: A Century of Colour in Design, Chronicle Books LLC, San Frncisco, p. 109, (2014).

[8] M. Sabino: Dicionario da Moda, Elsevier Editora Ltd, Rio de Janeiro, p. 574, (2007).

[9] E. Heller: A psicologia das cores, Editorial Gustavo Gili, SL, Barcelona, (2009).

[10] F. M. Silva: A Colour Space. Its quality management in architecture. The colour/space unity as an unity of visual communication, Ph. D. Thesis, UK, (1999).

[11] M. S. M. Kong: Harmonia e Proporção. Um olhar sobre o desenho arquitetónico no Ocidente e no Oriente, Inside city, Lisboa, p. 117, (2012).

[12] C. Morais: A Sustentabilidade no Design de Vestuário, Ph. D. Thesis, Lisboa, (2013).

[13] Y. Wang: Recycling in textiles., Woodhead Publishing Limited & Cr Press LLC, England, (2006).

[14] V. Mendes: Solar Wear Tattoo (to be published).