Issue |
MATEC Web Conf.
Volume 395, 2024
2023 2nd International Conference on Physics, Computing and Mathematical (ICPCM2023)
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Article Number | 01074 | |
Number of page(s) | 9 | |
DOI | https://doi.org/10.1051/matecconf/202439501074 | |
Published online | 15 May 2024 |
“Art world” of yunnan theravada buddhist murals from the perspective of art sociology: A case study based on murals in Jingzhen buddhist temple
Yunnan Open University, Kunming 650500, China
* Corresponding author: 61330531@qq.com
From the perspective of art sociology, this article adopts the research paradigm of “art world” and “cultural production” to carry out a case study on murals in Jingzhen Buddhist Temple in Xishuangbanna and explore the “production” and “autoproduction” process of Theravada Buddhist murals, thereby concluding that the “production” of Theravada Buddhist murals is not the achievement of individual painter, but proves to be co-generated by the “art world”, namely the cooperative network composed of members of the Buddhist Temple Affairs Management Committee, the village group, believers, and painter, under the regulations and influence of various realistic social factors; while due to the publicity and sanctity of Theravada Buddhist murals as well as the particularity of its audience, the relevant “autoproduction” has facilitated the continuous sound interaction between the “production” and “autoproduction” of Theravada Buddhist murals.
Key words: Theravada buddhist mural / Art world / Production / autoproduction
© The Authors, published by EDP Sciences, 2024
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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